Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è i"m looking for something in white - definizione
![Guitarist [[Anthony Phillips]] left Genesis after the album's release, citing his discontent with the state and direction of the band.](https://commons.wikimedia.org/wiki/Special:FilePath/Anthony Phillips.jpg?width=200 "Guitarist [[Anthony Phillips]] left Genesis after the album's release, citing his discontent with the state and direction of the band.")
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Wikipedia
Trespass is the second studio album by the English rock band Genesis. It was released in October 1970 on Charisma Records, and is their last album with original guitarist Anthony Phillips and their only one with drummer John Mayhew.
Genesis turned professional in autumn 1969, and began to rehearse intensely and play live shows. After several months of touring they secured a recording contract with Charisma Records, and entered Trident Studios in London in June 1970 to record Trespass. The music marked a departure from more pop-oriented songs, as displayed on their first album From Genesis to Revelation, towards folk-flavoured progressive rock. This ranged from light acoustic pieces with multiple twelve-string guitars such as "Dusk", to the heavier live favorite "The Knife". The sleeve, featuring a knife slash across the front, was the first of several to be designed by Paul Whitehead.
Shortly after recording, Phillips decided to leave the group, which almost caused Genesis to split. After discussing the situation, they agreed to continue, and replaced Mayhew with drummer and singer Phil Collins. Trespass was not a major success upon release; it failed to chart in the UK and the US and it received some mixed reviews from critics, but it was commercially successful in Belgium, which helped sustain the band's career. A reissue briefly charted the UK top 100 in 1984.
